Wednesday, March 17, 2010

Tya Ratri Paus Hota: Worthy Weekend Watch


If the title brings to your mind mindless prancing around trees to the tune of some catchy number, no one can blame you-  we are conditioned to think that way when it comes to Indian cinema. Tya Ratri Paus Hota however is different. It rains cats and dogs alright, but the setting is for something sombre, something relevant, the healing of relationships and the relief that comes from just knowing.

A badly beaten Avinash is brought to a farmhouse while an impending fate looms over him. Turns out that he is a reporter and dares to challenge a local politician, Sripat, probing into the welfare status of his constituency. The farmhouse is also shelter to a group of young people, who happen to campaign for Sripat, one of whom happens to be Avinash’s sister, Ravee. The two haven’t seen each other for 12 years and the chance encounter first surprises them and then exposes the emotional scars they have been carrying for so long, since their parents parted ways and the beautiful life they once shared got replaced with deceit, sorrows and gross misunderstanding.

Gajendra Ahire is known for making socially relevant films, where the focus is the common man. Tya Ratri Paus Hota also meanders on those lines coming close, if not on par with movies like Not Only Mrs Raut and Pandhar (where Medha Patkar was the star performer). Starting on a snail’s pace, the movie picks up momentum and manages to keep interests up throughout.

Though they feature in flashback for most of the time, it’s impossible to notice Sonali Kulkarni and Sayaji Shinde, while Amrita Subhash as a junkie med-student delivers well but only in parts. The songs have soul but seem out of place in a movie that wants to portray reality. Those who miss quality cinema should flock to watch Tya Ratri Paus Hota. It’s movies like these that bring kudos to Marathi cinema.


Mi Shivaji Raje Bhosale Boltoy: Jaage Vha Everyone


Though Santosh Manjrekar’s movie was aimed for the Marathi manoos, the social message is relevant for everyone, irrespective of region. And though it may resemble Lage Raho Munnabhai, the matchless Marathi wit and humor, and dramatic story make Mi Shivaji Raje… stand on its own.

Dinkar Bhosale (Sachin Khedekar) has been looked down upon all his life and his problems seem endless-  a shrewd builder tries to get him ousted from his residence at any cost and deport the family to Badlapur, his daughter wants to legally change her “downmarket” name, his son cannot get into engineering college- and they all somehow connect to the fact that he is born a Marathi. Frustrated at the lack of respect and empathy he comes to these conclusions 1) being born a Marathi is like paying for past sins, 2) there’s no meaning in speaking the language or even speaking to fellow-Marathis, 3) all Marathis should marry non-Marathis or legally change their names.

Somewhere inside his fort Shivaji Raje hears this insolence and sets out to teach Bhosale a lesson.

Mi Shivaji Raje… is dramatised to the hilt. Shivaji’s entry into an urban setting, Bhosale fighting the baddies with a sword, etc. make you wonder if this is really a 21st century movie. Moreover Bhosale’s quest for justice appears more like a quest for common sense.  In short, the premise of the movie is more likely for a fourth-grader than mature adults. So why should this movie be watched? Simply because the message is not just for a wronged Marathi man, it is for everyone who turns a blind eye to corruption, and who doesn’t vote for better governance. Jaage Vha!


 
 
 
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